Generate

Make the image you have in mind

Describe the people, place, light, and mood—or add a reference image. Before you run it, choose the model, size, quality, number of images, format, and background, and check the estimated credit cost.

Write in plain language Add multiple reference images Set the output before you run it

What are you making?

A corner bookshop after rain, warm evening light, quiet mood, wide crop for an article

A corner bookshop glowing after rain at dusk
A wider view of the bookshop and rain-soaked street
Books and a warm lamp behind a rain-speckled window

Start with where the image needs to work

The same generator can serve very different formats. The useful question is often where the finished image will appear.

A notebook, ceramic cup, and pear in natural light

Editorial and social

Turn the time, place, and mood in a piece of writing into an image that belongs beside it.

A warm reading room on a misty coastal cliff

Covers and openings

Leave room for the title before you settle the subject and light, so the final crop does not have to fight the image.

A traveler in an overgrown railway station

Characters and settings

Begin with appearance, clothing, and expression, then add the season, place, and surroundings.

Unbranded skincare arranged on a stone pedestal

Products in context

Use an existing product photo as a reference, then describe the surface, light, and space the layout needs.

Write what you can. Show what is harder to explain.

A reference image is optional. Words are enough to begin; add an image when composition, a person, or an object is easier to show.

Text description

Describe it as you would to another person

Start with what matters: who or what is in the frame, where it is, and how the light and mood should feel. A short brief is fine. The first result will tell you which detail to add next.

Reference images

Show the parts you want to keep

A reference can clarify composition, a person, an object, or a color direction. Still say what should stay and what should change instead of leaving the image to make every decision.

Choices you see before submitting

Available sizes, quality levels, and background options vary by model. The studio shows only valid settings for the current model and estimates the credit cost before you submit.

  • Model
  • Size
  • Quality
  • Number of images
  • Output format
  • Background

How it works

Describe, set, then review

Make an image
  1. 01

    Write the scene or add a reference

    Name the people, place, and mood you cannot do without. Add a reference you have the right to use when composition or an object needs to stay recognizable.

  2. 02

    Choose the output settings

    Pick the model, size, quality, number of images, format, and background, then review the estimated credit cost.

  3. 03

    Keep what works and adjust the rest

    Download or save a good result. If it is not close enough, change one part of the description, reference, or settings and make another version.

See the cost and the boundaries before you submit

A useful creative tool should show what the run will cost and be clear about failed jobs and content rights.

Check the estimated credits first

The model, quality, and number of images affect the cost. The studio shows an estimate before you submit the job.

Failed jobs return credits

Credits are charged when the task succeeds. If it fails, they are returned. The final task status is the source of truth.

Use references and results you have the right to use

Do not upload photos you cannot handle or create content that infringes another person's likeness, brand, or other rights.

To see real results first, browse Explore. For memberships and credit packs, see Plans. If you only want to try a haircut on a portrait, use Hair Studio. Every job still follows the Acceptable Use.

Before you begin

You do not need a design background or a private language of prompt tricks.

Yes. Describe what is in the frame, where it is, how the light falls, and whether the scene should feel quiet or busy. One or two clear sentences are usually more useful than a stack of decorative adjectives.

The idea does not have to be finished.

Write down the part that matters most and make one version. Once you can see it, the next decision is usually clearer.